ERRORS 0/7
TR

Archive/15/Orchestra ContentV2 · film

Observation

Some reckonings don’t make the story bigger; they change the character for good.

The rule we broke

The category’s ruleDigital communication for action and underworld films is usually built on fight scenes, tough lines and high-tempo trailer cuts.

Our decisionIn Dayı 2’s communication we brought forward not just the action but Cevahir’s relationship with his past, his losses and his thirst for revenge, turning the film’s toughness into a character-driven digital story.

Scope

Throughout Dayı 2’s release, we ran an integrated promotional campaign of character-driven social media content, digital communications materials and social media PR.

This section lists only the work we did. When there’s a verified result we can share, it gets a section of its own.

Credits

Director Uğur Bayraktar Director of Photography Engin Özkaya Editor Erhan Özen Colorist James Norman Production Diopter Film · Ubay Film · Net Sanat

Next project · 16
Tete ve Masal: Rüyalar Diyarı film poster
Tete ve Masal: Rüyalar Diyarı

Post-credits scene

YOUR CUT · READY

Your cut.

Where you stopped on this visit, and for how long, becomes an edit a few seconds long. Press Play, or let this frame reach the middle of the screen.

The times are kept only in this tab and sent nowhere. Close the tab and this cut closes with it.